A 1965 British television special honouring the songwriting partnership of John Lennon and Paul McCartney. It was produced by Granada Television and aired on that network on 16 December 1965 before receiving a national broadcast the following evening. The programme mainly consisted of other artists miming to their recordings of the songs. The Beatles performed Day Tripper and We Can Work It Out, and Peter Sellers delivered a comedic interpretation of A Hard Day's Night, in the style of stage actor Laurence Olivier's portrayal of Richard III.

This 5-part series is the most intimate, comprehensive biography ever made on John and Paul. Told almost entirely through their own words and music, with information culled from a variety of direct sources and compiled in a way that has never been done before, it directly challenges many of the dominant narratives in Beatles mythology.

Former songwriting partners Lennon and McCartney had established successful solo careers by 1973, but their post-Beatles output varied wildly, both with critics and the public, as documented in this engrossing profile that includes many rare clips.

Featuring a wealth of performance clips, archival footage and testimonials from friends, peers and experts, this fascinating documentary explores the legendary collaboration between John Lennon and Paul McCartney. Focusing on the period of work that began with "Revolver" and ended with "Abbey Road," this feature chronicles the duo's efforts, from the writing to the recording, and examines the impact their partnership had on the world at large.

Reviews the partnership, music and impact of Lennon and McCartney as composers. Drawing on rare footage, classic performances and comments from friends and Beatles musicologists, this program reveals the story of how their classic songs were written.

This program presents classic music and animation featuring former Beatles bassist Paul McCartney. The knighted musician has produced hit pop songs for decades, and THE MUSIC AND ANIMATION COLLECTION provides a showcase for the best of his work, as he sets his music to three vintage children's tales: "Tropic Island Hum," "Tuesday," and "Rupert and the Frog Song." This program features the hit song "We All Stand Together.

Drawing on rare footage, archive and exclusive interviews, classic performances and penetrating revelations from close friends of the pair, fellow musicians, Beatles academics and musicologists, we discover here the true story of how their music was composed when writing alone or with new partners.

The McCartney Years is a three-DVD set featuring music videos, live performances and other rare footage from Paul McCartney's solo career and Wings. The set spans the years 1970 to 2005 The first two discs comprise promotional films, from "Maybe I'm Amazed" (1970) to "Fine Line" (2005). Additional features include a documentary about his recent album Chaos and Creation in the Backyard (Creating Chaos at Abbey Road), a film about the Band on the Run album and a feature-length audio commentary from McCartney himself. The third disc includes seven songs from the 1976 Wings concert Rockshow, four songs from McCartney's 1991 appearance on MTV Unplugged, and eleven performances from his 2004 set at Glastonbury Festival. The live footage is also complemented by an optional commentary by McCartney. Other features includes his appearance at Live Aid in 1985, the Super Bowl XXXIX Halftime Show and interviews with Melvyn Bragg and Michael Parkinson.

The first part puts two families of puppets at odds over a job promotion; the second features Meryl Streep in romantic duets with a dummy (who is voiced by Adam Guettel); the third shows the legged objects, embodied by the Alvin Ailey 2 company, taking the stage to audition for their roles. With no movie technique (but a great cameraman, Ed Lachman), Simmons has assembled her interests as if in a toy chest: old movies and TV commercials, Broadway songs, good-to-feel-bad bathos, and the effluvia of domestic life. Whether intentionally or not, Simmons has made a film about the inevitable post-Warhol art-world nexus of irony, finance, and glamour, a luxury object of empty intentions that the viewer fills with his own need for art, just as the second act’s real-world woman endows a dummy with her romantic hopes and dreams.

Angela is on a quest to save her long lost sister. To accomplish her goal she needs to locate the pieces of a time-altering mystical weapon known as the Music of the Spheres in a world dictated by the teachings of the ancient philosopher Pythagoras. Time is running out too. Angela's journey has begun to open the gates between the worlds and if she's not quick an invasion of ancient mythic beings could destroy the balance in the multiverse forever.